Anyway, this
has nothing to do with Stainrod, Roxborough or Dalglish.
At
Glastonbury Festival in 2009, I was booked to play a small back-stage bar. The two sets I played there were
underwhelming (I think there were a total of seven people at the two of them,
including bar staff. And I lost a good
pair of shades). But in a different,
more salubrious back stage area on the Saturday afternoon, at the bar, I saw
Howard Marks. I read Mr Nice years ago,
and it was entertaining enough. But I
had nothing to say to him, so I left him in peace (I’m not one for speaking to
famous people just because of their fame, you understand).
There were a
few other famous faces milling about (it was the backstage bar of the Jazz
World Stage – or West Holts, as it’s now known), but I didn’t bother any of
them, either. The bar was busy, so while
waiting for a drink, I had time to notice that the man serving looked familiar.
“He looks
just like Paul McGann”, I thought. “He
is Paul McGann”, I thought next. (Or
possibly at the same time, or overlapping, because that’s how thoughts work,
isn’t it?)
I really
like Withnail & I. And the dude was right
there, serving drinks (“What’s he doing serving drinks?” I thought, immediately
after thinking the previous two thoughts – or sort of simultaneously. Thoughts aren’t quite that neat and linear,
are they? Mine aren’t, anyway.)
So, I
thought, I’ve got double legitimate reasons to speak to the fella. I ran through all the best bits of Withnail
& I in my head, interspersed with thoughts like “I wonder how often people
quote Withnail & I at him” and “I wonder how annoying it is” and “I wonder
if, if the answer to the previous two wonderments is “all the time” and “very”,
he’s disappointed that he is still best known for a film made over 20 years
ago.”
And then I
realised all the quotes I’d been thinking of (probably simultaneously to the
above; the mind does not often produce linear narrative) are all from Withnail,
Richard E Grant’s character. Which might
be what everyone else says to him (McGann) and might make the above even worse
for the bloke. So I decide not to say
“We’ve gone on holiday by mistake”, or “I want something’s flesh!” or “the
fucker will rue the day!” or the obvious favourite at a bar: “We want the
finest wines available to humanity. We
want them here, and we want them now.”
As I was
running through all this in my head, eventually McGann looked at me and said
“Yes mate?”
I held up my
hands to him in a double thumbs-up gesture, and said, voice a-quiver: “My
thumbs have gone weird!”
He looked at
me askance. Not annoyed, just slightly
bewildered. He stammered:
“That’s….nobody’s ever…what do you want?”
I ordered my
drink, paid, and left him in peace.
As I left, I
saw the singer Kelis walking past. I
decided not to talk to her.
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